When did biggie smalls juicy come out how to#
Often times, the immediacy of hip-hop denies the genre the ability to age gracefully, but Biggie Smalls knew how to create an atmosphere where the kids living the struggle could envision the riches that come with hard work and perseverance. Magic, Marley Marl”) paired up with a chronicling of the present-day good life (“Now I’m in the limelight ’cause I rhyme tight / Time to get paid, blow up like the World Trade”). The rags to riches tale is a goldmine of vivid childhood memories (“Hangin’ pictures on my wall / Every Saturday, Rap Attack, Mr. The original track still packs a punch after more than 20 years. Ĭhris Ingalls: It’s possible that a huge swath of music fans were introduced to “Juicy” by way of the Girl Talk mashup “Smash Your Head”, which paired the rhymes with Elton John’s “Tiny Dancer”. It’s a message that everyone can relate to on some level, and is no doubt one of the many reasons why “Juicy” is still one of the most well-known hip-hop songs more than two decades after it first originally dropped. Diddy instrumental that was inspired by Pete Rock’s later-to-be remix version of the song, Biggie Smalls depicts his rise as a New York rapper, starting as a “born sinner, the opposite of a winner”, to having “sold out seats to hear Biggie Smalls speak”. Įmmanuel Elone: Before Drake’s “Started From the Bottom”, “Juicy” was hip-hop’s official rags to riches anthem. The street fair is less than two weeks away, fellas! Time to pull out Ready to Die. The guys who run the shoe store downstairs from me also serve as sidewalk DJs at the annual street fair, and “Juicy” always gets played at least once, if not more. I don’t know how it went down in other neighborhoods, but, a few weekends ago when that day finally came, motorists driving up 5th Avenue from Bay Ridge and Sunset Park certainly did not shirk their civic duty.
When did biggie smalls juicy come out drivers#
There’s a law on the books that on the first warm day of the year all drivers have to roll their windows down and play “Juicy” on full volume as they go about their day. Ian King: No matter how many hipster cliches and gentrification stories come out of Brooklyn on a weekly basis, “Juicy” is still the national anthem here. “Juicy”, then, is vitalized by the same propulsive bullet-force that would eventually return to Biggie in a different form - not as a world-ripping triumph of talent and will, but as four shots from a 9 mm blue-steel pistol, one of which would take his life. This world is a world of gang violence, of drug peddling and common thieves committing uncommon crimes just to stay afloat it’s a world that necessitates the velocity of gunfire to escape. “It was all a dream”, the verse begins, and this dream materializes, not as a wisp or haze-bordered vision, but a gunshot: the beat hits like a bullet blasting out of a chamber, shedding its case to feel the air raging against its curvature, and the dream it carries is an ambition to rip across and out of the world that’s caging it.
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Biggie’s famous enunciation - fat-lipped, overstuffed, yet sharp and replete with masculine aggression - is here in full force. A manifesto of survival in an urban underworld where surviving equates to offending, scaring, even breaking the law. Pryor Stroud: “Juicy”, like its author, needs no introduction. Which leads me to speculate stupidly… who really killed B.I.G.? I’m also struck thinking that somewhere out there on the internet there has to be some intersection between the B.I.G./2Pac conspiracy theorists and the 9/11 truthers via that line “Time to get paid / Blow up like the World Trade”, which even back in ’94 when above-ground rappers were openly fantasizing about raping women and killing cops was in incredibly poor taste. “Phone bill about two G’s flat / No need to worry, my accountant handles that / And my whole crew is lounging / Celebrating every day, no more public housing.” A worthy addition to your ’90s party this summer. But it’s also one with no illusions about the juxtaposition between the privilege of being able to luxuriate by the pool and B.I.G.’s hard origins.
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The placement of the swimming pool in the video is not accidental this is clearly a summer jam. I never thought this was the best track on Ready to Die and I still don’t, but listening to it again with some distance it’s clear that one of B.I.G.’s strengths was his commercial viability. I’m still on board, even if the rapping itself is a bit, well, soft. The Mtume groove that hooks the entire track, supplied by Trackmasters and Pete Rock, has now gone through the cycle where it has gone out of fashion and come back.
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The former may make it endure, the latter dates it some. Timothy Gabriele: A relatively optimistic song an era of nihilism and also a tune with a pretty languid flow from artists whose hardcore wares were the backbone of his identity.